Stuck in development hell for the best part of fifteen years, Deadpool finally arrives on screen with the reputation of being the archest comic book adaptation to date, and perhaps the most offensive superhero film since Kick-Ass (unless you count this one, for very different reasons). The popular, wisecracking, spandex-clad character not only ridicules fellow Marvel heroes during this debut cinematic outing but also the actors who play those characters, the studio that made this and several other recent superhero movies (20th Century Fox, handlers of the X-Men franchise) and most of the numerous tropes usually found within them. Star Ryan Reynolds even admits his own career has been propelled by looks rather than acting ability during one scene, and repeatedly breaks the fourth wall to the point that there is no fourth wall left to break. So, it’s a film with dozens of knowing asides, suggesting confidence in the audience’s cine-literacy (to a point), which have to fight to be heard amidst the cacophany of profanities and dick jokes. It’s crass, bloody, reasonably offensive and on occasion quite funny: the teenagers in my local cinema lapped it up, and though they’re the target audience, rather than me, I can’t say I didn’t laugh along with them at times.

The titular antihero was initially created as a kind of in-joke for comic fans – both the costume and Deadpool’s alter-ego, Wade Wilson, referenced rival DC Comics mercenary Deathstroke, aka Slade Wilson – so in that respect this origin story is perfectly suited to the meta treatment, but unfortunately Miller et al struggle to create a story free of the clichés they are so painfully aware of. For all the effort made to let the audience know they’re watching something different, and to distance Deadpool from the pack, the plot is every bit as hackneyed as usual, and by now anyone who has seen more than two modern supherhero films will no doubt be completely familiar with it. That said, I’ve spent three years on this blog repeatedly moaning about how all Marvel films are essentially the same, so I suppose I should be happy that one has finally been made where the air is turned blue and the star is referred to during the opening credits as ‘God’s Perfect Idiot’. It’s immature, it’s completely disposable and it looks cheap, but the writers’ willingness to have the lead character recognise this is fun, as is his snarky, foul-mouthed onslaught. At the very least Deadpool is intriguing as a blockbuster outlier.

Directed by: Tim Miller.
Written by: Rhett Reese, Paul Wernick.
Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein, TJ Miller, Gina Carano, Brianna Hildebrand, Stefan Kapičić.
Cinematography: Ken Seng.
Editing: Julian Clarke.
Music: Tom Holkenborg.
Running Time:
108 minutes.


11 Responses to “0473 | Deadpool”

  1. table9mutant

    Nice review! Think I enjoyed this one a little more than you did but it’s definitely far from perfect storywise. But it was a fun popcorn flick for sure. 🙂

    • Stu

      Cheers! I thought it was fun and was glad to see something slightly (if not completely!) different from the norm.

  2. Tom

    “Blockbuster outlier” is a perfect descriptor. The more I think back on Deadpool, the more its inability to skirt around not one or two cliches, but several MAJOR ones, starts to annoy me. Ryan Reynolds is great, and it’s great that he recognizes or admits to his own career being based more on looks than talent (personally I think he has quite a lot of talent) but at some point you kind of want the movie to take itself just a teeny bit seriously and do something that truly would revolutionize the game.

    • Stu

      Yeah he’s being a bit harsh on himself in the film, isn’t he? He’s quite charismatic even though he’ll probably never deliver an excellent performance. I liked the fact it highlighted all the cliches, but I guess the real revolutionary film would then do something that was free of them all (or most of them), whereas when you break it down there’s not really much between the structure of this and the structure of, say, Ant-Man or even the earlier Iron Man films. Still…adherence to the formula means $325m and rising!

  3. Adam (Consumed by Film)

    Couldn’t agree more Stu. It worst it’s a fairly standard R-rated action-comedy unable to shake off the tropes it makes fun of. At best it’s something a bit different, pretty funny in places and carried very well by a game Ryan Reynolds. Great writing as always.

    • Stu

      Cheers – yeah, I’m a bit conflicted on this. It’s enjoyable, offensive, knockabout, throwaway shite, but I guess that’s better than just plain and simple ‘shite’! I laughed a lot more than I was expecting to.

    • Stu

      Cheers Mark – much appreciated! Did you listen to Robbie Collin on Kermode/Mayo this week? He pointed out it lampoons superhero films from 10 or 15 years ago, as opposed to the current ones, which I think is spot on.


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