Forough Farrokhzad’s first and only work is a documentary short, or essay film, that examines life for leprosy sufferers in an Iranian colony. It’s a moving, admirable film, with Farrokhzad’s camera trained on the faces and affected body parts of patients; the editing is often quick, such as in the sequence that shows a number of people playing with a ball, as if the director is desperate to show us as many of them as she can; this is a film that, through its structure, seems to be reinforcing the idea that every single human life matters. (****)