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A Film Diary

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My Blind Spot choice for May was an excellent one, and as I write this a couple of weeks after watching Jacques Demy’s 1964 film The Umbrellas Of Cherbourg for the first time, I feel relatively confident in saying that it is now one of my favourite musicals – a vivid, colourful and bittersweet melodrama containing wonderful performances from Catherine Deneuve and Nino Castelnuovo and an insistent, memorable score from Michel Legrand. Despite the film’s stellar reputation among amateur and professional critics – not to mention musical aficionados – I had wondered beforehand whether I was going to like the recicative dialogue; it’s not something I tend to enjoy and I thought it might be a stumbling block preventing me from connecting with Demy’s work. However, it’s so well-done here that I stopped noticing the device for a while, and at times it even seemed completely natural that the actors were singing their lines throughout. And bravo to cinematographer Jean Rabier, whose vibrant vision of the French port town makes the bad weather seem oddly warm and appealing. This is a masterpiece. (*****)