After The Storm (Umi Yori Mo Mada Fukaku)

Watched: 2 March

Another enjoyably low-key slice of Japanese family life from Hirokazu Koreeda, whose consistency and regularity of output means that he makes this kind of thing look easy (and also made me think that he is in danger of being taken for granted as a filmmaker until his recent Palme d’Or win at Cannes). The story here largely revolves around novelist-turned-private detective Ryota and the various relationships he has with his mother, sister, ex-wife and son, though arguably the key relationship hanging over the whole film is the one that existed between Ryota and his recently-deceased father. It mostly plays out within and around the old family home, occasionally venturing outside to unspectacular, everyday locations – though these are still somewhat intriguing to my foreign eyes – and any Koreeda watcher will know how adept he is at making films within such spaces, mostly focusing on his characters as they converse, sometimes while they carry out quotidian household tasks. There are good performances from Kore-eda regulars Hiroshi Abe, Yōko Maki and Kirin Kiki, though for some reason this didn’t grab me in the same way as the other Koreeda films I’ve seen (Still Walking, Our Little Sister, Like Father, Like Son). (***½)